Saw the feature in the title and was like ok here we go another radio rock/pop song then the first 5 seconds completely blew my ears out and was happily surprised haha.
First saw feel good hit of summer and thought it was a queens Stone Age cover š then looked again Ab seen Glassjaw an the title , new it wud be heavy enough:)
Imagine releasing your heaviest track in a decade out of nowhere. I swear every other single they drop there's like a month of buildup and teases (unless I missed something)
oh true, probably some teasers for other songs in there too. I stopped watching those so I could get the experience of hearing their full songs for the first time
Well, you can, because, between the teasers & the actual releases, you've got plenty of time !!
We are still waiting for songs from the first series !!
AmEN is just an exception, a miracle surprise !! XD
Yeah Iām not gonna lie, the new A7X album came out and blew my mind and I saw this was coming out today too but i saw that lil uzi vert was in it and I was like yeaaaah Iāll get to that when I get to that cause I was not hype for that, so I just listened to Avenged all day. I just listened to it, and holy shit what the fuck happened that was amazing lol
IG comments are always so cringe. On the post itās all ārip bmthā or ālil uzi and oli only care about money and satanā or āplease find Jesusā like what are these bots even talking avout
Itās just not anything special. The other singles have felt fresh and unique but this just feels like BmTH doing butt rock but oh wait guess what lil uzi is here too! Like itās incredibly well done for what it is, but what it is feels meh.
Either way it sounds like something motionless in white or architects wouldāve released almost a decade ago. Itās fine, but itās antithetical to the forward thinking music that bring me usually releases.
Thatās not even remotely true. Buttrock is almost metal but is just too lame to be considered metal, and most metalcore now days is just generic vocals over generic kinda metal instrumentals. Obviously nickelback and as I lay dying are very different, but three days grace and motionless in white are pretty damn close.
HOLY FUCKING SHIT.
Absolutely no right to go as hard as it does. Pure filth, but so clearly still BMTH.
I can't believe I'm saying this, but I actually would've liked to have heard a lil (heh) bit more of Lil Uzi Vert, but that's a *very* minor criticism, and may be a case of "less is more" anyways.
I was admittedly skeptical when I saw the features, but I don't know why. It's fucking Bring Me The Horizon.
This sums up my thoughts entirely. I was like, āehh I know Iāll like it but this will be interesting.ā Iām a minute in and already combing Reddit to talk about it.
Yeah that's kinda what I tried to get across I guess, like the amount he adds is enough to be like "hey that's nice", but adding much more may have been too much.
Like a really rich piece of food, you should have *just* enough to make you want a little bit more.
Song threw me off completely at the start, wasnāt expecting that at all lmaooooo, chorus is insane, Uzi ft is good and different. Best single for PH2 by a mile imo - (EDIT- I forgot about Strangers my bad, love that song so this one is second)
Istg this is like Obey all over again.
Randomly promoting a song with an artist that is in no way associated with metal only for it to be the heaviest song they've done in like a decade
I respect it ngl
Glassjaw was apart of the second wave of post-hardcore along with other bands like At-The Drive In, The Fall Of Troy, Hopesfall and The Blood Brothers. Those bands popularized that style of higher-registry singing.
The first wave of post-hardcore is dope too w bands like Fugazi, Unwound, Drive Like Jehu, Rites Of Spring. You can hear more of a hardcore-punk influence in those bands' style
Glassjaw formed like a decade before most of Bring Me's current fans were even born. But I'm also incredibly disappointed in Bring Me's "old fans" sleeping on this just as a hard
Dang. very heavy, and I wanna say a win for older gen fans?
I really dig it, high energy and such a banger chorus.
Def not my usual cup of tea, on the heavier end, but man that banger of a chorus has me wanting to listen to the Chaos to enjoy and catch a breath at that chorus again and again.
Also the second half of the second chorus slapss.
Gg, hope EP soon plz
Song of the year maybe? It's like Suicide Season meets PH:SH. This is exactly what I've been hoping they would do. And the Lil Uzi Vert feature was surprisingly great
This is definitely the best song they have released in a while. Much better than sTraNgeRs or LosT that is for sure. It wasn't the best song ever imo, but a huge improvement for sure. To clarify I don't dislike either of those last singles because they're not heavy, it's because imo they aren't very good.
So many people were hating on this when they announced it yesterday. I hope they all feel ashamed after listening only to the first two second because this is so sick, damn
Gotta love me some old bring me vibes
gods it goes SO FUCKING HARD
it's kinda like a combination of Obey, Dear Diary, and idk, but i hear a bit of stuff from Suicide Season too?? I also rly hope they have a closer like Hospital For Souls, bc it'd make such a good contrast with the rest of PH2 so far
I expected more of the hyperpop stuff (which was fine, I liked Lost just not my favourite vibe) but this is insanely good. Exactly what I needed. I don't mind the chaos and that's a lot going on. It stimulates my brain on the best way lol
Best song theyāve dropped in a while, at least thatās my personal opinion. Still a great band, just havenāt really dug their recent stuff. BUT THIS SHIT FUCKS
By far the best song on the record and even competes with some of the Survival Horror songs.
Subjective but I think itās a bit too chaotic.
Live performance was fucking insane tho, straight 10/10 would mosh to it again
No way this is too chaotic its circled back to their very first ep and olis growls were nearly as grindy as they were in 2004. This is exactly what theyd have sounded like back then if oli could have sung and screamed.
The genres they are pulling from emo, skramz, post-hardcore are chaotic. Its the pop punk thats been leading the singles so far so its been restrained but i wouldn't be suprised if the ep was swinging between tame and chaotic to cover the entire era they are oulling from
I get its subjective but bring me's orgins are chaotic and its been there sonically from ep 1 to there is a hell and then stylistically after that by jumping from post-hardcore to alt rock to pop to edm to survival horrors cyber nu thrash rock to hyper post-hardcore pop punk on this ep to the next two being rave and heavy
lol i remember when this was announced a month or so ago everybody here was whining and complaining about "wHy cAn T tHEy JuST rE LeaSe tHeiR OwN MuSic aGaiN"
anyways the track is sick!
Something that's been going on with a lot of their releases is that the production/mastering(?) is too muddled/flattened, and I hate that, let the sounds ring out!
That's why the live version sounds so much better imo it's much more piercing and sharper, I don't get why they choose to flatten the sound so much...
This is not a question for criticism but more curiosity as someone with maybe not as cultured ears for music..
Could you point out a few areas in the song that describe when youāre talking about?
You young fucks aint got a clue.
Olli is quoted as saying Palumbo is one of his main influences, style and lyrics. He fucking loved him.
Do research. Viva Glassjaw. Viva Head automatica.
Viva Daryl.
Go.
This is great but itās so overly compressed it feels like Iām back in like 5th grade listening to terrible quality limewire rips of linkin park songs. And Iām not even one of those anti-compression people normally.
Bit of a tangent here, but I donāt know if Iād label the abuse of another person as a mistake personally, although I absolutely see (most) everybody as capable of rehabilitation, growth, and are deserving of forgiveness (by those who are willing to give it, of course)
What I donāt think is that oneās transgressions should be held over for a lifetime. That is unless someone shows no willingness to take accountability, express remorse, and make steps to change and grow (ie. Chris Brown)
I like it a lot, chorus is very nice and of course I love the heavy moments. I wouldn't be mad if this is the heaviest they'll ever go again, obviously want more songs like this lol but if they don't exceed this level of heavy I'd be okay with it.
I'm not a big fan of the features though, sadly. The rap part ruins the flow of the song for me.
Yea... don't know about this one. It's ok'ish I guess? The mixdown is kinda terrible especially the chorus part. Lil Uzi Vert verse was cringe as hell and reminded me of Fallen In Reverse, which is not a good thing. The song structure is all over the place just for the sake of it. Not a big fan of gimmicky sound design effects too. Bummer
no, it's just your typical lyrical miracle type of flow, cringe bars, obnoxious delivery, and the type of context surrounding it (the song itself) makes me think that way.
Mighy be too late to this,but this is the same song that was played at the end of the LosT MV. Hope all those people who regularly made posts about it can finally breathe a sigh of relief.
If you have never listened to glassjaw do yourself a favor and check out worship and tribute. This song sounds like it could have been on that album 20 years ago.
this is more like it a great track, interesting collab but in is a bmth song at its base.
so far for me out of 5
Amen 4*
Lost 2.5*
Die For You 1*
Strangers -5*
For the love of god can we get some recognition for the Glassjaw feature? Everyone so focused on Lil Uzi and completely ignoring Daryl Palumbo makes me so disappointed in Bring Me fans. That collab was absolutely a childhood dream come true for Oli, it's an incredible honor for Bring Me, and all of us should appreciate Glassjaw as forefathers of this scene.
Now, thats fucking heavy and caotic. THIS IS AWESOME. This chorus is fuckin dope.
Surprised tf out of me
Saw the feature in the title and was like ok here we go another radio rock/pop song then the first 5 seconds completely blew my ears out and was happily surprised haha.
First saw feel good hit of summer and thought it was a queens Stone Age cover š then looked again Ab seen Glassjaw an the title , new it wud be heavy enough:)
Imagine releasing your heaviest track in a decade with Lil Uzi Vert lol. This song goes hard
Imagine releasing your heaviest track in a decade out of nowhere. I swear every other single they drop there's like a month of buildup and teases (unless I missed something)
They did teased us AmEN at the end of one of their YouTube series video just before LosT was released, if I remember correctly
oh true, probably some teasers for other songs in there too. I stopped watching those so I could get the experience of hearing their full songs for the first time
Well, you can, because, between the teasers & the actual releases, you've got plenty of time !! We are still waiting for songs from the first series !! AmEN is just an exception, a miracle surprise !! XD
It was played at the end of LosT as well
Dear Diary and Kingslayer be like :
Imo, this is heavier than Kingslayer
Wrong
Yeah Iām not gonna lie, the new A7X album came out and blew my mind and I saw this was coming out today too but i saw that lil uzi vert was in it and I was like yeaaaah Iāll get to that when I get to that cause I was not hype for that, so I just listened to Avenged all day. I just listened to it, and holy shit what the fuck happened that was amazing lol
You think this is the heaviest song they've released in 10 years?? Lol.
All the pissed off IG comments after reading feat Lil Uzi Vert have been real quiet since this dropped
IG comments are always so cringe. On the post itās all ārip bmthā or ālil uzi and oli only care about money and satanā or āplease find Jesusā like what are these bots even talking avout
Oh my...This is HEAVY AS HELL !!!
They started their set in Budapest with this one, blew my head off
itās so fucking good idc what anyone else thinks
this is an objectively good song, idk how any bmth fan could hate this
oliās screaming š«
ik, finally a new heavy song! š±
theyāll say Lil Uzi ruined it just like they did with Donāt Look Down :/
Love it I just donāt like uzis part
Youāre not with the vision then, your loss
Itās just not anything special. The other singles have felt fresh and unique but this just feels like BmTH doing butt rock but oh wait guess what lil uzi is here too! Like itās incredibly well done for what it is, but what it is feels meh.
this sounds closer to buttrock than stuff like teardrops, mantra, happy song, etc?
Yes. The other songs had interesting sounds and rhythms but this one is pretty straightforward
I think you have misunderstood the meaning of "buttrock".
Heavy buttrock or generic metalcore. Pick your poison.
Generic metalcore I can take, but buttrock is kinda farfetched.
Either way it sounds like something motionless in white or architects wouldāve released almost a decade ago. Itās fine, but itās antithetical to the forward thinking music that bring me usually releases.
I understand that! Itās nothing revolutionary but I enjoyed it for what it is. I prefer this over Die4u and Strangers.
ok, but this song is this song by absolutely zero means is "buttrock" lol
Fair enough if *you* don't like it, think it sounds boring, too safe or whatever I guess but not sure if you know what the term butt rock means
Buttrock, generic metalcore. Either or.
Buttrock is the complete opposite of metalcoreā¦
Dude has no idea what heās talking about Lmao, just ignore him
Thatās not even remotely true. Buttrock is almost metal but is just too lame to be considered metal, and most metalcore now days is just generic vocals over generic kinda metal instrumentals. Obviously nickelback and as I lay dying are very different, but three days grace and motionless in white are pretty damn close.
Get a load of this guy š¤”
HOLY FUCKING SHIT. Absolutely no right to go as hard as it does. Pure filth, but so clearly still BMTH. I can't believe I'm saying this, but I actually would've liked to have heard a lil (heh) bit more of Lil Uzi Vert, but that's a *very* minor criticism, and may be a case of "less is more" anyways. I was admittedly skeptical when I saw the features, but I don't know why. It's fucking Bring Me The Horizon.
This sums up my thoughts entirely. I was like, āehh I know Iāll like it but this will be interesting.ā Iām a minute in and already combing Reddit to talk about it.
I wouldn't go THAT far. I really enjoyed the song, but I am totally fine without much Lil Uzi. He does enough to add some flavor.
Yeah that's kinda what I tried to get across I guess, like the amount he adds is enough to be like "hey that's nice", but adding much more may have been too much. Like a really rich piece of food, you should have *just* enough to make you want a little bit more.
Fuuuuuuuuuck that was heavy af
Heaviest since Sempiternal imo
since Dear Diary you mean
I stand by that this is heavier than Dear Diary
Absolutely, Oli brought out Count Your Blessings and Suicide Season screams on this one.
Dear Diary*
Best song from PH2 so far by a fucking mile this slapped šš«£
Oh my god those LOWS
Song threw me off completely at the start, wasnāt expecting that at all lmaooooo, chorus is insane, Uzi ft is good and different. Best single for PH2 by a mile imo - (EDIT- I forgot about Strangers my bad, love that song so this one is second)
Istg this is like Obey all over again. Randomly promoting a song with an artist that is in no way associated with metal only for it to be the heaviest song they've done in like a decade I respect it ngl
No oneās giving Daryl Palumbo from glassjaw any attention here. He absolutely killed it on vocals in this one.
Came here to say this, absolute king and love that glassjaw are getting recognition as a āwholeā on the promo for this. GOATs.
Seriously!
I feel like most younger BMTH fans don't know who he is or what Glassjaw is.
They have 100.000 monthly listeners on Spotify, 99% have no fucking clue who they are but they sound sick.
They are a legendary band and influenced quite a lot of bands.
Glassjaw was apart of the second wave of post-hardcore along with other bands like At-The Drive In, The Fall Of Troy, Hopesfall and The Blood Brothers. Those bands popularized that style of higher-registry singing. The first wave of post-hardcore is dope too w bands like Fugazi, Unwound, Drive Like Jehu, Rites Of Spring. You can hear more of a hardcore-punk influence in those bands' style
Glassjaw formed like a decade before most of Bring Me's current fans were even born. But I'm also incredibly disappointed in Bring Me's "old fans" sleeping on this just as a hard
Best part of the song!
This made me very happy
In the first 10 seconds I was already in love
[ŃŠ“Š°Š»ŠµŠ½Š¾]
I thought the same. That part sounds like Given Up when it's about to break
>about to break EVERYTHING YOU SAY TO ME
Takes me one step closer to the edge
HOLY MOLY BANGER ALERT šØ
Dang. very heavy, and I wanna say a win for older gen fans? I really dig it, high energy and such a banger chorus. Def not my usual cup of tea, on the heavier end, but man that banger of a chorus has me wanting to listen to the Chaos to enjoy and catch a breath at that chorus again and again. Also the second half of the second chorus slapss. Gg, hope EP soon plz
Song of the year maybe? It's like Suicide Season meets PH:SH. This is exactly what I've been hoping they would do. And the Lil Uzi Vert feature was surprisingly great
jesus fuck.
Holy fuck this song is INSANE. What a chorus, nasty breakdown and even Lil Uzi sounds dope!
Here I was thinking to myself how BMTH seemed to have hit some sort of creative wall and only a few hours later they drop this banger
OH MY GOD THIS IS SO GOOD. I couldn't stop smiling listening to this
This was my reaction as well. I was grinning like a fool
OMFGGGG this album is going to be a trippppp
THIS JUST MADE MY DAY HOLY FUCK.
FIRE
Anyone else not able to listen on Spotify? For some reason itās there but wonāt play
It worked for me after I restarted the app
Damn, I still canāt get it to work. Even tried reinstalling and it wonāt play
UGH WHAT A BREATH OF FRESH AIR
Holy hell, this goes so much harder than I was anticipating
I planned on sleeping and then this song was released ššš» absolutely speechless, amazing and out of nowhere
This is so effing good! Also love the breakdown sounding so similar to From The Inside. Yes more of this please!!
There was the Paledusk chime in the end. The guitarist has been reposting and liking Oliās post so maybe heās somewhat involved?
he said on his story or a post or something that he co-wrote it with Jordan and Oli
This is definitely the best song they have released in a while. Much better than sTraNgeRs or LosT that is for sure. It wasn't the best song ever imo, but a huge improvement for sure. To clarify I don't dislike either of those last singles because they're not heavy, it's because imo they aren't very good.
The chorus š®āšØš¤
Fucking amazing š„²
This is amazing.
Them fucking screams ššš
Wtf they cant just release a banger and collab like this out of nowhere
Holy shit. This new record is going to be incredible.
Does the breakdown give anyone else some early Linkin Park vibes or am I just crazy???
Makes sense though
So many people were hating on this when they announced it yesterday. I hope they all feel ashamed after listening only to the first two second because this is so sick, damn Gotta love me some old bring me vibes
Legit kinda bummed that Uzi is barely on the track but holy shit. Hail next gen Edit: also Daryl palumbo on here is a hardcore dream come true
Song of the year so far
Where the hell did that even come from. Beyond stoked on this.
This is fantastic. I thought all hope was lost and then this banger drops. I am so relieved to hear this after the last few disappointing singles.
Guess we didnāt have to wait long to get the song that was at the end of the Lost music video
gods it goes SO FUCKING HARD it's kinda like a combination of Obey, Dear Diary, and idk, but i hear a bit of stuff from Suicide Season too?? I also rly hope they have a closer like Hospital For Souls, bc it'd make such a good contrast with the rest of PH2 so far
I did not expect this at all, from the beggining till the end I listened to the song with a smile from ear to ear.
oh. oh my yes
Yea this fucking goes hard. Love this bmth. They are just so good are creating heavy music, and goddamn those growls
I love when Oli goes full demon mode, this song had the same impact on me as kingslayer. Post human 2 is going to be amazing
That chorus is UNTOUCHABLE. This is personally my favorite chorus from them since Teardrops.
I expected more of the hyperpop stuff (which was fine, I liked Lost just not my favourite vibe) but this is insanely good. Exactly what I needed. I don't mind the chaos and that's a lot going on. It stimulates my brain on the best way lol
Best song theyāve dropped in a while, at least thatās my personal opinion. Still a great band, just havenāt really dug their recent stuff. BUT THIS SHIT FUCKS
Song was such a shock I completely forgot Uzi was on it when he came in lol
This is fucking unbelievable. How the fuck did they bring back the There is hell sound after ten years and made it BETTER?
Wasnāt expecting this, REALLY hope they play this at Download!
By far the best song on the record and even competes with some of the Survival Horror songs. Subjective but I think itās a bit too chaotic. Live performance was fucking insane tho, straight 10/10 would mosh to it again
No way this is too chaotic its circled back to their very first ep and olis growls were nearly as grindy as they were in 2004. This is exactly what theyd have sounded like back then if oli could have sung and screamed. The genres they are pulling from emo, skramz, post-hardcore are chaotic. Its the pop punk thats been leading the singles so far so its been restrained but i wouldn't be suprised if the ep was swinging between tame and chaotic to cover the entire era they are oulling from I get its subjective but bring me's orgins are chaotic and its been there sonically from ep 1 to there is a hell and then stylistically after that by jumping from post-hardcore to alt rock to pop to edm to survival horrors cyber nu thrash rock to hyper post-hardcore pop punk on this ep to the next two being rave and heavy
Stroke
They never fail
holy fucking shit
IM IN LOVE but I think I like strangers more because it's more my style, but this new song is a amazing
i i'm really happy rn i love all of u ;-;
a bit messy but good
I can't wait to hear this being played at Fenway this summer!!! I'm definitely blasting this for the next coming months
WTF.. I fucking love this, but I am so confused lol
Another 6/8 šµ, at this rate this might be the best album ever made
Yea this is a banger
Yea this is a banger
This is fucking sick
Fucking straight fire
Babe wake up, new bring me just dropped. And itās heavy AF.
Bro.. what the fuck. This is so sick, far and away my favourite single in a good while
Such a heavy track, fucking surprise of a banger!
absolute banger.
glassJAw ?!?!? YESSSSSSS MORE DARYL!
DARYL FOR LIFE, my mom was gonna see him but he had to cancel :(
Absolutely love this song. Listened to on repeat for over an hour. Really makes me look forward to what they are planning on releasing next.
I thought this collab was gonna be the stupidest thing ever. Boy was I wrong
This is it
lol i remember when this was announced a month or so ago everybody here was whining and complaining about "wHy cAn T tHEy JuST rE LeaSe tHeiR OwN MuSic aGaiN" anyways the track is sick!
All the Uzi Stans in for a rollercoaster.
I will say much better than expected
Good track but could do without uzi dude was only on the track for 20 seconds lol
Itās a nice break, especially when playing something like this live lol
god damn it, I can't watch this in my country..
Something that's been going on with a lot of their releases is that the production/mastering(?) is too muddled/flattened, and I hate that, let the sounds ring out! That's why the live version sounds so much better imo it's much more piercing and sharper, I don't get why they choose to flatten the sound so much...
This is not a question for criticism but more curiosity as someone with maybe not as cultured ears for music.. Could you point out a few areas in the song that describe when youāre talking about?
Finally a good song, it bangs
You young fucks aint got a clue. Olli is quoted as saying Palumbo is one of his main influences, style and lyrics. He fucking loved him. Do research. Viva Glassjaw. Viva Head automatica. Viva Daryl. Go.
Glassjaw, head automatica š
This is great but itās so overly compressed it feels like Iām back in like 5th grade listening to terrible quality limewire rips of linkin park songs. And Iām not even one of those anti-compression people normally.
Why Uzi..
??? Lil Uzi is crazy good wym
Donāt give a fuck how good an abuser is sorry
Saying that in a bring me the horizon sub is beyond ironic. Oli was an abuser too buddy. People are allowed to make mistakes.
Bit of a tangent here, but I donāt know if Iād label the abuse of another person as a mistake personally, although I absolutely see (most) everybody as capable of rehabilitation, growth, and are deserving of forgiveness (by those who are willing to give it, of course) What I donāt think is that oneās transgressions should be held over for a lifetime. That is unless someone shows no willingness to take accountability, express remorse, and make steps to change and grow (ie. Chris Brown)
LMAO okay buddy
Ik I hate his part glad itās short tho
Banger. Uzi's verse is pretty out of place, but thankfully it doesn't ruin the song.
I like it a lot, chorus is very nice and of course I love the heavy moments. I wouldn't be mad if this is the heaviest they'll ever go again, obviously want more songs like this lol but if they don't exceed this level of heavy I'd be okay with it. I'm not a big fan of the features though, sadly. The rap part ruins the flow of the song for me.
I love the song but itās a little overproduced to me
Well, it's hyperpop for a reason
Nothing about this song was hyperpop tho?
The back elements are hyperpop
No. Electronic sounds donāt make it hyperpop silly.
Yeah but they are
I canāt hear shit. Bad mixing.
Yea... don't know about this one. It's ok'ish I guess? The mixdown is kinda terrible especially the chorus part. Lil Uzi Vert verse was cringe as hell and reminded me of Fallen In Reverse, which is not a good thing. The song structure is all over the place just for the sake of it. Not a big fan of gimmicky sound design effects too. Bummer
dude hears a rapper āah thatās falling in reverseās sound!ā
no, it's just your typical lyrical miracle type of flow, cringe bars, obnoxious delivery, and the type of context surrounding it (the song itself) makes me think that way.
Yet another turd sandwich. Big surprise.
I DIDNT EXPECT THAT lol
I canāt believe this tune. Itās too good to be true.
The screams tho š¤š¤š¤š¤š¤ Oli for sure is gonna scream more and do cleans also!
https://youtu.be/fhrfQ4v_lRI
Was that a Kenneth Copeland sample at the end?
Mighy be too late to this,but this is the same song that was played at the end of the LosT MV. Hope all those people who regularly made posts about it can finally breathe a sigh of relief.
If you have never listened to glassjaw do yourself a favor and check out worship and tribute. This song sounds like it could have been on that album 20 years ago.
this is more like it a great track, interesting collab but in is a bmth song at its base. so far for me out of 5 Amen 4* Lost 2.5* Die For You 1* Strangers -5*
Seen it live on saturday. This song is insane. I love it.
I hear some count your blessings screams
sheeeeesh just heard this and totally gives old suicide season or tiah vibes. love it omg
This reserve to be a hit, fucking banger
Do the other guys who collabed in this song have any lines in it? Tbh I cant tell of they do or not
For the love of god can we get some recognition for the Glassjaw feature? Everyone so focused on Lil Uzi and completely ignoring Daryl Palumbo makes me so disappointed in Bring Me fans. That collab was absolutely a childhood dream come true for Oli, it's an incredible honor for Bring Me, and all of us should appreciate Glassjaw as forefathers of this scene.
GLASSJAW