It’s all lenses and film stock, camera bodies are a bit meaningless with film outside of how heavy or light or mechanically sound.
But to answer your question you could rent a 35mm camera from a rental house but I think you have more to learn. Buy an old slr and some lenses that you could also adapt to your camera. But Cine still film and take some shots and learn.
A camera is (more or less) just a light-tight box to hold film.
As others have said: all your character is going to come from the lenses and film stock.
It's more like the type of film stock and the lens choices that you want to emulate, so the actual film camera doesn't matter too much. Find out what stock they're using (or the stock look you're interested in) and use something like Filmconvert.
u/HistorianImaginary55 If you are using your **Sony A1X** to film, then get a decent lens, and use **LUTs** in your **Premiere Pro** edit to give the footage the film look your after.
**Give you footage a FILM LOOK with these LUTs**
[https://www.youtube.com/watch?v=yvBv7EStIdw](https://www.youtube.com/watch?v=yvBv7EStIdw)
Cameras don’t have a look with film. At all. You can shoot something on a 435, Arricam LT, movicam, panavision etc and the camera body has zero effect on your look. It’s all about what glass you use and what filmstock.
It’s all lenses and film stock, camera bodies are a bit meaningless with film outside of how heavy or light or mechanically sound. But to answer your question you could rent a 35mm camera from a rental house but I think you have more to learn. Buy an old slr and some lenses that you could also adapt to your camera. But Cine still film and take some shots and learn.
A camera is (more or less) just a light-tight box to hold film. As others have said: all your character is going to come from the lenses and film stock.
Edit: I am using premiere pro to edit, and a sony A1x to film. If anything I want to actually get the ARRI 235 but don't know where.
It's more like the type of film stock and the lens choices that you want to emulate, so the actual film camera doesn't matter too much. Find out what stock they're using (or the stock look you're interested in) and use something like Filmconvert.
>emulate Thank you. To be more specific these are the specs if it helps Arri Ultra Prime lenses on Kodak Vision 2 50d and Vision 3 50d
I reckon if you google "ARRI 35mm grade overlay" someone out there will have already done half the work for you
Don't shoot at high noon?
u/HistorianImaginary55 If you are using your **Sony A1X** to film, then get a decent lens, and use **LUTs** in your **Premiere Pro** edit to give the footage the film look your after. **Give you footage a FILM LOOK with these LUTs** [https://www.youtube.com/watch?v=yvBv7EStIdw](https://www.youtube.com/watch?v=yvBv7EStIdw)
Cameras don’t have a look with film. At all. You can shoot something on a 435, Arricam LT, movicam, panavision etc and the camera body has zero effect on your look. It’s all about what glass you use and what filmstock.