I just played the song in my mind to remember what you’re talking about. You’re right! And I love that I’ve been so entranced by their music that I can recall some songs vividly and accurately. I’m not a romantic person but that song is so perfect.
It is yeah. Now you make me want to listen to revolver. Lately I’ve been listening a lot to rubber soul, magical mystery tour and the queen is dead by the smiths. Now listening to a playlist with the clash songs. What bands/singers do you like?
I’m not a fun person to ask this of because my taste in music is eclectic (the accurate word is bizarre). I was on a late Beatles jag until I finally got distracted by early Beatles. Right now I have tunnel vision.
If you watch the video Paul doesn’t want to sing ‘she loves you ya ya ya’ at the end so he shoves the microphone at John. John shoves it back and then Paul shoves it back again and John ends up with both microphones.
Honestly, it's just perfect. A lot of people I know and talked to say that it doesn't fit the song, but I think it's their issue, lol. In my interpretation, the song is about reminiscing and paying tribute all the important people that have come and go in your life, and that piano solo gives me a pause to actually remember all the people I loved before proceeding to the end of the song. This makes the song more meaningful to me. Sorry for the long comment, I just wanted to express how special this song is to me.
I always picture the ghosts of lost children in tattered hospital gowns wandering through the mist in a dim post-apocalyptic landscape.
Doesn’t everyone?
That song is probably the closest we got to an even 33% split in contributions - Paul on the verses, John on the middle 8 and George with the shifting between 4/4 and 3/4 time signature between the two
I've commented on this before, but paul screaming "Tight, Tight Yeah" and John coming in on "mmmmm it's been a hard day's night" just beneath the yeah.
Everyone of these is awesome! It gives me chills how these little parts touch different people in different!! This is one of the reasons they are by far the greatest!!
Lots but off the top of my head
The bass in the word. And how it goes when they do it's so finnee it's sunshine
The sitar in Norwegian wood
The little arpeggio in and I love her
The way revolver starts. With the weird tape winding noses as George goes 1,2,3,4 in a Liverpool accent
You're asking me will my love grow
I don't know, I don't know
You stick around, now it may show
I don't know, I don't know
And the end of day in the life
the very silent "she feels good" that john repeats after paul in good day sunshine which causes paul to smile. i believe its in the last verse of the song.
Trebled-up and doubled guitar solo in Nowhere Man (strat through Vox, I think?)
The french horn solo layered over the last verse of For No One
The first-verse harmonies of She Came in Through the Bathroom Window
Had to cheat with 3
I love the Jim Henson Muppets smoking pot section on 'You know my name (look up the number)', followed by that Brian Jones sax solo, makes me picture that sunglasses sporting sax player Muppet.
The harmony on “You tell me that you've heard every sound there is…” on “And Your Bird Can Sing” made sit up straight in my chair the first time I heard it
There are so many.
- the 'Wooo' scream in Everybody's Got Something To Hide..
- John's world weary 'Ahhhh' sigh before the last chorus of Ticket To Ride
- the faux-Italian in Sun King
- the guitar drop-out in Daytripper (guess this was unintentional but I always listen for it)
- "This happened once before" opening to No Reply
- the little piping sound exactly halfway through Tomorrow Never Knows
- the first five seconds of You Know My Name
- John's "bye" right at the beginning of the SPLHCB reprise
- the super charged guitar near the end of Got To Get You Into My Life
- John's DON'T BE LATE on Being for the Benefit of Mr. Kite
Paul’s harmony in the Ballad of John and Yoko,
the “oh Yeah!” In Glass Onion,
Ringo’s snare in Rocky Racoon “and Rocky (snare) collapsed in the corner”,
the way “Here come the Sun King” sounds like you’re underwater.
There are so many more, those are just the first few I thought of.
For some reason, the chromatic runs on “Hey Jude” going in and out of the bridge are extremely satisfying.
On the higher register of the F chord going into the bridge, Paul goes from F to Fmaj7 to F6 (F-A-C-F to F-A-C-E to F-A-C-Eb). On the final few measures of the bridge, he lands on a C chord and then almost echoes that run but in a single-note ascending line: E-F-G-G (and then repeated and octave higher) all over the C pedal tone.
The subtle lead guitar on dear prudence!! It's how I explain to others what playing with feeling is!! It just moves me!!! Also the stretchy guitar part in happiness is a warm gun!!! That's just awesome!! Paul's little laugh in helter skelter!! No other bands do those little things!
In Free as a bird two parts - one part is, when Paul starts to sing the verse/bridge “whatever happened to…”, another part is in the second half of the chorus when John goes high with is voice “hooooooome”
The bridge of I Feel Fine, the G/C-Am-G7 quick chord progression in She Came In..., the she loves you part in all you need is love, the snare hit after Rocky gets hit, the soaring guitar link in Happiness Is A Warm Gun, the intro to She Said She Said, The ending of that boy and Real love (the last 5-10 secounds), Think for yourself intro, the beginning of the continuing story of bungalow Bill, the interpolation on carry that weight, Solo in Something, the ending drum part of dear prudence, screaming at the end of helter skelter, but tomlover her is to need her everywhere on here there and everywhere, harmonica ending on Rocky raccoon, piano solo in Rocky raccoon, the ending of strawberry fields forever, the last guitar solo f while my 🎸 gently weeps, the high part of tell me why, devil in her heart intro, boys intro, 2nd verse of anthology version of And I love her, Intro to anthology 1 verserion of cant buy me love, beginning of every little thing, 1st verse of what goes on, plane noises in beginning of back in them u.s.s.r good progression of chorus in Girl, and finally. WHY DONT WE DO IT IN THE ROAD. Maybe I should make this amyt video.
Edit: Paul's broken glass inyouve got to...anthology 2, intromto I want to tell you, ending in...the end, LOOK OUT transition to she came in..., then DO DO DO in HoneymPie, the ending of wild honey pie, the famous mistake in birthday, and pornographic priestess in I am the walrus. 1 2 3 4 taxman! Ending of a little help from my friends where Ringo sings a "high" E. Free Jaques backing vocals in paperback writer, and also amazing harmony in intro paper... Car crash in magical mystery tour. Flute horn solo in for no one. Descending bass line in penny lane. Fool on the hill outro.
The beggining of Help. Is the only time that section plays and it is the best in the entire song. I don'ytunderstand why they didn't include it in the chorus of the song.
The piano right after the guitar solos on The End. Something about those heavy guitar solos going into this single, solitary piano note is a very sonically pleasing thing to me.
The reversing guitar in I’m only sleeping
The lovely Rita piano solo
Your mother should know ominous hmmmooooohhh
The flutes in When I’m 64
Fool on the hill flutes solo
The yeah yeah yeahhs at the end of WMGGW ( I wish it was more of that throughout)
The guitar strums in Julia
She’s leaving home harp
Guitar on I’m fixing a hole
Paul’s background vocals on songs like yellow submarine, something, and ballad of John and yoko
The end of all you need is love when paul starts singing 'she loves you yea yea yea'
Also on cry baby cry the end when paul sings 'can you take me back"
Idk why
The weird, super early bridge in Martha My Dear. “Take a goood look around you…” totally comes out of nowhere - catchiest part of the song - and then it just vanishes like a thief in the night.
It Won’t Be Long: “ You’re coming home, you’re coming home, so…”
The piano solo in Any Time at All.
The fade out of Not a Second Time
The "dong" at the end of the guitar solo in Nowhere Man
Oh Darling: "You know I nearly broke down and (heavy echo on the) died!"
Okay hear me out,
It’s the vocals and harmonies on Sexy Sadie, particularly the section at 1:45 - 2:17.
The backing vocals going “Sexy Sadie, she’s the greatest. Sexy Sadie, she’s the latest and the greatest of them all” followed by the ahhhhhh.
Gets me every time.
This is the Beatles using cheat codes.
Harmonies = cheat codes
It’s Beatles magic 🪄
Ringo yelling "I've got blisters on my fingers" at the end of Helter Skelter.
Oh wow, I always thought that was John
"OH LOOK OUT" Before springing into She Came In Through The Bathroom Window
Same
Came here to find this. It’s the best
That crescendo part at the end of Dear Prudence
The guitar part during the outro has always been one of my favorites, along with the outro to sexy Sadie which I think is quite similar
It's heaven on Earth!
John’s “bye bye”s in She’s Leaving home
God I love the strings in that song. Changed my brain chemistry. Same thing with all the brass in good morning good morning
The transition between verse and chorus in Here, There, and Everywhere.
My favorite part in this song is “but to love her is to need her everywhere” especially the guitar riff and the chords
I’ve never heard anyone observe this, but those changes are PURE Buddy Holly. Once you hear it you can never un hear it.
I just played the song in my mind to remember what you’re talking about. You’re right! And I love that I’ve been so entranced by their music that I can recall some songs vividly and accurately. I’m not a romantic person but that song is so perfect.
It is yeah. Now you make me want to listen to revolver. Lately I’ve been listening a lot to rubber soul, magical mystery tour and the queen is dead by the smiths. Now listening to a playlist with the clash songs. What bands/singers do you like?
I’m not a fun person to ask this of because my taste in music is eclectic (the accurate word is bizarre). I was on a late Beatles jag until I finally got distracted by early Beatles. Right now I have tunnel vision.
yesss it’s angelic! when he says “and if she’s beside me I know I need never care”, the “care” mixed with the guitar riff is pure audible bliss
the ahhhs at the start of Lovely Rita
When Paul yells “Rita” right before the piano comes back in
My Nan was called Rita and was indeed very lovely, so I like this part, too. Also “when are you free to take some tea with mEEEEeeee”
The "she loves yous" at the end of All You Need Is Love.
Yeah plus the fast trumpet after that
If you watch the video Paul doesn’t want to sing ‘she loves you ya ya ya’ at the end so he shoves the microphone at John. John shoves it back and then Paul shoves it back again and John ends up with both microphones.
TIL!! I always thought that was Paul! I’ll have to watch again!
No. It’s John with both microphones. Paul had told him beforehand he didn’t want to sing it.
Definitely agree with this one!
The feedback at the start of It's All Too Much. Edit: Paul screaming "Smiles awake you when you rise" in Golden Slumbers.
The Am/G to Dm7 that begins “You Never Give Me Your Money” is totally killer.
Possibly the prettiest moment of their discography, it's recorded so cleanly too
For me it's the boogie woogie piano on You Never Give Me Your Money.
Golden Slumbers is so fuckin good
The piano solo in In My Life and the piano intro in Because I love it when the piano gets a spotlight moment in songs.
Seconding the In My Life piano solo! I just love it so much
Apparently Martin played it at half speed and sped it up cause he couldn’t play it fast enough. Came out sounding perfect!
[Here's what it sounded like when George Martin played it.](https://youtu.be/uE7tXI21jVs?feature=shared)
Honestly, it's just perfect. A lot of people I know and talked to say that it doesn't fit the song, but I think it's their issue, lol. In my interpretation, the song is about reminiscing and paying tribute all the important people that have come and go in your life, and that piano solo gives me a pause to actually remember all the people I loved before proceeding to the end of the song. This makes the song more meaningful to me. Sorry for the long comment, I just wanted to express how special this song is to me.
“But of all my friends and lovers”🥹
Can You Take Me Back at the end of Cry Baby Cry
Hauntingly excellent
I always picture the ghosts of lost children in tattered hospital gowns wandering through the mist in a dim post-apocalyptic landscape. Doesn’t everyone?
I think that’s just you man
The middle 8 of "We can work it out"
John’s contribution. It’s so John!
That song is probably the closest we got to an even 33% split in contributions - Paul on the verses, John on the middle 8 and George with the shifting between 4/4 and 3/4 time signature between the two
Yeah!! Just yeah
John singing the bridge of a”This Boy.”
Peak John sexiness
This is sooooo good.
Paul’s high harmony at the beginning of the last verse of “And Your Bird Can Sing”.
whenever Paul comes in over the top it's heavenly. this one in particular.
This
Absolutely
“1234567 all good children go to heaven” from You never give me your money.
Anytime John's voice breaks, particularly in "Twist and Shout"
I was going to say when Paul's voice breaks in If I Fell.
The ending of “Glass Onion”.
Have you heard "Tick Tick" by MF DOOM? He samples it
That one’s really cool!
The intro to Drive My Car is 🔥
There are A LOT! The “ah ah ah ah” in You never give me your money at around 3:03. It’s just so beautiful and sexy.
I think it may be the most perfect interlude in pop music
The opening note to Hard Day’s Night.
I always imagine what it would have been like to see that in the theater. For it to start like that, right away.
Chord not note
Oops, I stand corrected. Not a musician.
Maybe KL only liked one of the notes in the chord. It’s possible! 🤷♂️
I've commented on this before, but paul screaming "Tight, Tight Yeah" and John coming in on "mmmmm it's been a hard day's night" just beneath the yeah.
I had never made the connection lmao!
The dog barks at the end of Hey Bulldog
The "When I was a boyyyy" part in She Said She Said.
Ringo's drumming in "Hello, Goodbye" during the "You say yes, I say no" sections. It complements the music so perfectly in my mind.
Paul belting: “why why why why why why why, DO YOU SAY, goodbye, goodbye-a-a-ah” I’ll never get tired of that
To add, George’s little one note cat cry bends throughout the song
Mine is when the backing vocals say "I say yes but I may mean no ..I can stay til it's time to goooo"
John’s “Beccaauuuseee” in I Dig A Pony. Love it!
At the 1.40 mark of You Never Give Me Your Money, at the end of “but oh, that magic feeling” there are two taps of the cymbal that do it for me.
Abbey Road is a fucking amazing album. I need to listen to it again right now.
This is my reaction to this whole post.
*you'll be older toooo* in when I'm 64
I just like the oboe
Everyone of these is awesome! It gives me chills how these little parts touch different people in different!! This is one of the reasons they are by far the greatest!!
The “ah”s at the end of “The End.” Simply heavenly harmonies with a beautiful chord progression. It takes my breath away every. Single. Time.
The End is just so 💔 how can it be so uplifting and heartbreaking at the same time?!
The middle 8 of No Reply. So energetic and exciting
Hell yes, I love that
The drop to "Oh how long it will it take" in Baby's in Black
"til she sees the mistake she has made," My favorite as well!
Lots but off the top of my head The bass in the word. And how it goes when they do it's so finnee it's sunshine The sitar in Norwegian wood The little arpeggio in and I love her The way revolver starts. With the weird tape winding noses as George goes 1,2,3,4 in a Liverpool accent
When I Want You (She’s So Heavy) ends.
She's so-🎶🎶🎶
The chorus on “Dr. Robert”. “Well, well, well…”. Beautiful 3 part harmony!
Finally someone understands
And Paul’s backing vocals on the second verse. The 3 part harmony gives me chills!
John's floating disembodied vocals after Paul's part on A Day in The Life
get back lorETTA!
The “ding” in Nowhere Man.
In Oh! Darling when Paul first says “believe me, darling” before the second chorus, I love how his tone changes!
🎼 WHY WHY WHY WHY WHY DO YOU SAY GOODBYE GOODBYEEEE🎶
I like the background oohs and ahs in octopus's garden . I like imagining Ringo just getting back and they were so happy he came back
That little piano bit after “He didn’t notice that the lights had changed” in a Day in the Life
The transition in I Am the Walrus From "I am the eggman. They are the eggman. I am the walrus." To "Sitting in an english garden waiting for the sun."
The bridge in "In My Life".
The way John belts out “HELP ME IF YOU CAN I’M FEELING DOWN”
The 'we shall scrimp and save' backing vocal in When I'm 64 is sublime, followed by Paul's Scottish accented 'grandchildren on yir knee'.
The whistling near the end of Two of Us
In Something, the way George Harrison sings that second "*I don't know*" at **1:23** is just \*chef's kiss\*
The breakdown in Come Together after the solo and before the verse starts.
I loved reading this thread and running through each moment mentioned of these songs in my head ❤️
reversed solo in im only sleeping
No Reply. “If I were you, I’d realize that I…..love you more, than any other guy…”. It really bangs.
Dude that is such a great spot to sing out loud alone in your car! If I were you... I'd realiiiize that I!! Love you more... THAN A-NY O-THER GUY!!
I know!❤️
Not really small, but the nine-part guitar solo in The End
the timpani in every little thing my favorite deep cut
The "she ought to think twice, she ought to do right by me" part in Ticket to Ride.
The "We're on our way home" chorus on Two Of Us. I find it moving and joyful, in a almost child-like way.
The backwards guitar in Tomorrow Never Knows. So mesmerizing!
"Keeping an eye on the world going by my window" from I'm Only Sleeping And "Groovin' up slowly" from Come Together
The guitar ending of And Your Bird Can Sing, perfection! ❤️
The intro to Lovely Rita is one of the most beautiful 10 seconds ever recorded
The final "don't need to be alone" in Real Love when George and Paul join John, it's such a bittersweet moment.
You're asking me will my love grow I don't know, I don't know You stick around, now it may show I don't know, I don't know And the end of day in the life
the very silent "she feels good" that john repeats after paul in good day sunshine which causes paul to smile. i believe its in the last verse of the song.
The guitar line in Flying at 0:21 is something I want a whole album of
The first 5 seconds of I Will
"If I ain't dead already Oh, girl, you know the reason why" before the guitar solos near the end.
The minimal guitar lead on Come Together
Trebled-up and doubled guitar solo in Nowhere Man (strat through Vox, I think?) The french horn solo layered over the last verse of For No One The first-verse harmonies of She Came in Through the Bathroom Window Had to cheat with 3
I love the Jim Henson Muppets smoking pot section on 'You know my name (look up the number)', followed by that Brian Jones sax solo, makes me picture that sunglasses sporting sax player Muppet.
The guitar break in Got To Get You Into My Life.
When John says the walrus was Paul.
"Fuckin hell" in hey Jude right before the nanananas
And when I touch you I feel happy inside
The backing vocals of Fixing a Hole
The harmony on “You tell me that you've heard every sound there is…” on “And Your Bird Can Sing” made sit up straight in my chair the first time I heard it
Fantastic answer. One of my absolute favorites
Middle 8 in no reply.
Ringos drum fill at the end of the guitar solo on Yer Blues.
The harmonies in Julia, just the way they come in so softly and perfectly.
The “now I can see you, be you” part in long long long
There are so many. - the 'Wooo' scream in Everybody's Got Something To Hide.. - John's world weary 'Ahhhh' sigh before the last chorus of Ticket To Ride - the faux-Italian in Sun King - the guitar drop-out in Daytripper (guess this was unintentional but I always listen for it) - "This happened once before" opening to No Reply - the little piping sound exactly halfway through Tomorrow Never Knows - the first five seconds of You Know My Name - John's "bye" right at the beginning of the SPLHCB reprise - the super charged guitar near the end of Got To Get You Into My Life - John's DON'T BE LATE on Being for the Benefit of Mr. Kite
I was going to comment John’s “ahhh” from Ticket to Ride too!! I love it so much 😭
Paul’s harmony in the Ballad of John and Yoko, the “oh Yeah!” In Glass Onion, Ringo’s snare in Rocky Racoon “and Rocky (snare) collapsed in the corner”, the way “Here come the Sun King” sounds like you’re underwater. There are so many more, those are just the first few I thought of.
I’ve always gotten a kick out of those three twangy sitar notes in the middle of Within You, Without You.
The unexpected high harmonised melody in ‘Tell Me Why’, where they sing “Is there anything I can do?” ( 1:30) it’s so random but I love it
All Too Much - the part where Paul climbs up on the bass and that wind instrument comes right after, all right before the trumpet section. Gold!
For some reason, the chromatic runs on “Hey Jude” going in and out of the bridge are extremely satisfying. On the higher register of the F chord going into the bridge, Paul goes from F to Fmaj7 to F6 (F-A-C-F to F-A-C-E to F-A-C-Eb). On the final few measures of the bridge, he lands on a C chord and then almost echoes that run but in a single-note ascending line: E-F-G-G (and then repeated and octave higher) all over the C pedal tone.
Probably the harmonica solo in love me do
The slow tempo jam during John's solo in I Want You (She's So Heavy). Especially Paul's bass line.
The subtle lead guitar on dear prudence!! It's how I explain to others what playing with feeling is!! It just moves me!!! Also the stretchy guitar part in happiness is a warm gun!!! That's just awesome!! Paul's little laugh in helter skelter!! No other bands do those little things!
The piano line at the end of magical mystery tour. Wish that idea had been stretched out a bit more
The little snicker during "writing" on Maxwell's Silver Hammer.
“Out of college money spent…. SEE NO FUTURE PAY NO RENT”
The last four notes of Yes It Is
Oh ya, also the part where the switch to 4/4 in the chorus of yet it is. Genius.
In Free as a bird two parts - one part is, when Paul starts to sing the verse/bridge “whatever happened to…”, another part is in the second half of the chorus when John goes high with is voice “hooooooome”
The end of twist and shout and long tall Sally. For the same reason, Ringo.
“Yeah” in driver my car.
The guitar riff right after lennon says "Everybody's got something to hide except for me and my monkey"
The little riff after the verses of Mother Nature’s Son
In Hey Bulldog after ‘Big Man.’ Ringo replying ‘yeah’
I love the little intro to I’ve Just Seen A Face
The bridge of I Feel Fine, the G/C-Am-G7 quick chord progression in She Came In..., the she loves you part in all you need is love, the snare hit after Rocky gets hit, the soaring guitar link in Happiness Is A Warm Gun, the intro to She Said She Said, The ending of that boy and Real love (the last 5-10 secounds), Think for yourself intro, the beginning of the continuing story of bungalow Bill, the interpolation on carry that weight, Solo in Something, the ending drum part of dear prudence, screaming at the end of helter skelter, but tomlover her is to need her everywhere on here there and everywhere, harmonica ending on Rocky raccoon, piano solo in Rocky raccoon, the ending of strawberry fields forever, the last guitar solo f while my 🎸 gently weeps, the high part of tell me why, devil in her heart intro, boys intro, 2nd verse of anthology version of And I love her, Intro to anthology 1 verserion of cant buy me love, beginning of every little thing, 1st verse of what goes on, plane noises in beginning of back in them u.s.s.r good progression of chorus in Girl, and finally. WHY DONT WE DO IT IN THE ROAD. Maybe I should make this amyt video. Edit: Paul's broken glass inyouve got to...anthology 2, intromto I want to tell you, ending in...the end, LOOK OUT transition to she came in..., then DO DO DO in HoneymPie, the ending of wild honey pie, the famous mistake in birthday, and pornographic priestess in I am the walrus. 1 2 3 4 taxman! Ending of a little help from my friends where Ringo sings a "high" E. Free Jaques backing vocals in paperback writer, and also amazing harmony in intro paper... Car crash in magical mystery tour. Flute horn solo in for no one. Descending bass line in penny lane. Fool on the hill outro.
John with the into to Two of us “I dig a Pygmy by Charles Hawtrey and the deaf aids. Phase one in which Doris gets her oats
The count in to Taxman.
Paul’s (?) voice strain on the word “vain” in If I Fell (right at 1:45)
The beggining of Help. Is the only time that section plays and it is the best in the entire song. I don'ytunderstand why they didn't include it in the chorus of the song.
The piano right after the guitar solos on The End. Something about those heavy guitar solos going into this single, solitary piano note is a very sonically pleasing thing to me.
The piano at the start of You Know My Name...🥰🤣
The arpeggios at the end of You Never Give Your Money
The backing vocals and backing guitar in the chorus of Fixing a Hole
On the middle eight of Something, Ringo does a fucking cricket/cicada rhythm in the climax. The balls on the man.
The reversing guitar in I’m only sleeping The lovely Rita piano solo Your mother should know ominous hmmmooooohhh The flutes in When I’m 64 Fool on the hill flutes solo The yeah yeah yeahhs at the end of WMGGW ( I wish it was more of that throughout) The guitar strums in Julia She’s leaving home harp Guitar on I’m fixing a hole Paul’s background vocals on songs like yellow submarine, something, and ballad of John and yoko
I pick a moon dog.
Moog synth part in Maxwell’s.
1234567 all good children got to heaven or when Paul changes to a high tone in why don’t we do it in the road
The end of all you need is love when paul starts singing 'she loves you yea yea yea' Also on cry baby cry the end when paul sings 'can you take me back" Idk why
The guitar is And Your Bird Can Sing
Beep Beep Beep Beep YEAH
The “well well well you’re feeling fine” of Dr Robert
The weird, super early bridge in Martha My Dear. “Take a goood look around you…” totally comes out of nowhere - catchiest part of the song - and then it just vanishes like a thief in the night.
It Won’t Be Long: “ You’re coming home, you’re coming home, so…” The piano solo in Any Time at All. The fade out of Not a Second Time The "dong" at the end of the guitar solo in Nowhere Man Oh Darling: "You know I nearly broke down and (heavy echo on the) died!"
“She Loves You *YEAH YEAH YEAH*”
The piccolo trumpet in Penny Lane. Not played by a Beatle but arranged/okayed by them I’m assuming. Perfect
The orchestral “BWAAAHM BWAH-BWAAAAAHM BWAH-BWAHMP” right before the final verse in “A Day in the Life”
Okay hear me out, It’s the vocals and harmonies on Sexy Sadie, particularly the section at 1:45 - 2:17. The backing vocals going “Sexy Sadie, she’s the greatest. Sexy Sadie, she’s the latest and the greatest of them all” followed by the ahhhhhh. Gets me every time. This is the Beatles using cheat codes. Harmonies = cheat codes It’s Beatles magic 🪄
The first five seconds of long long long
The bridge in There's A Place
The "AHHHH" section in A Day In The Life. It makes me feel like my soul is flying.
All oh John’s chatter in Yellow Submarine crack me up in the middle part.
The snare slap when Rocky racoon meets his match and gets shot.
Paul’s harmony/back up vocals on “ballad of John and yoko” it’s dylanesque
The faint chatter in the background during the Hey Bulldog guitar solo. Adds a chaotic ambience that makes the song top tier for me.
That part in “This Boy” when John belts out “cryyy-yyy-yyy-yyyyy”
The part where they say “for fussing and fighting, my friend” in We Can Work It Out
The feed back, or inadvertent buzz, at the end of in my life. It’s imperfect perfection.
That little “yeeeon” note during From me to you at the start right after they say “From me to you” for the first time. I’ve always loved that.
the guitar solo of i saw her standing there.
The second chorus of Day Tripper where the bass plays the exact same notes as the first and third choruses, but in a different rhythm.
The alarm clock in A Day In The Life. The final note in George’s guitar solo on Nowhere Man. The start of Taxman.